CONTENTS

 

The Development and Role of Art Cooperatives in the
Propagation of Nigeria Art

 

Art Training in Nigeria and the PhD Syndrome

 

Education and the Pursuit of Ignorance in Nigeria

 

Ndidi Dike And Gender Politics In The Nigerian Art Ecology
 

Primitives or Classicists?: The Uli Women Painters of Nri
 

“The Harvest is Plenty but the Labourers are Few” : Art and Art Criticism in Nigeria.

 

A Double Heritage - The Work of Tayo Adenaike

 

A Sop to Ceberus: Travelling on Cameroun Ailines
 

Africa and the Search for New Energies

 

Conversation entre C. Krydz Ikwuemesi et M. Ousseynou Wade, le Secretaire-generale de biennale de Dakar, au Dakar, Mai 2002

 

Conversation with C. Krydz Ikwuemesi

 

The Route to the Root of Man
(A conversation with Krydz Ikwuemesi on his “Story of Stories”)
 

Our Hospitals and the Culture of Decay
(published in The Vanguard in 2003)
 

Interrogating Obasanjo’s Nigeria

 

Conversation with C. Krydz Ikwuemesi
By Kingsley Ene-Orji

 

Katy Deepwell: Trading Art and Experience
 

Nigeria at 50

 

Nigerian Art and the Curse of Mercantilism

 

Between Nkiru Nzegwu and the Politics of Gender Transmogrification: A Meta-critique1
 

Conference on Re-interrogating the Visual Arts Curriculum in Nigerian Universities and other Institutions Press Statement

 

The Rediscovery of Tradition: Uli and the Challenge of Mordernity
Report by C. Krydz Ikwuemesi and Ugochukwu-Smooth Nzewi
 

“Ayị nọ n’ọmenanị”:
Nkata Eziafọ Ọkarọ, If’ude Ejiọfọ, Ezechinyẹlugo na C. Krydz Ikwuemesị kpalụ n’Ogidi, Anambra State, Nigeria, n’ọnwa August 2004

 

FROM THE NIGERIAN TEACHER TO THE EYE: Journals and Magazines in the Development of Contemporary Nigerian Art
 

 

From Playgrounds of Fancy to the Promised Land: African Art in the New Millennium

 

Like a Lonesome Road